Miranda, Carolina. “Olivier Messiaen wrote music in a Nazi prison camp. Artist Susan Silton has asked women to perform it.” Los Angeles Times (June 14, 2017).

Critics Page. (Suzanne Hudson, Simon Leung, and James Nisbet, guest eds.). “Excerpt from A Sublime Madness in the Soul.” Brooklyn Rail (February, 2016)

Miranda, Carolina. “Saying Goodbye to the Sixth Stree Bridge with artist Susan Silton’s ‘Sublime Madness’ Opera.” Los Angeles Times (January 28, 2016).

Black, Ezrha Jean. “A Sublime Moment on the Sixth Street Bridge.” Artillery (August 25, 2015).

Griffin, Sean. “Drone of Invisible Ink: Susan Silton’s ‘In everything there is the trace,’ and Collective Untyping of John Steinbeck’s The Grapes of Wrath.” Ear|Wave|Event (Issue 1, September, 2014).

Jao, Carren. “Susan Silton and the Collective Act of Retyping Steinbeck.” KCET Artbound (October 3, 2013).

Harren, Natilee. “Susan Silton Discusses Who’s in a Name?Artforum (July 12, 2013).

Mizota, Sharon. “Community’s the Thing: Susan Silton Examines the Power of Names.” KCET Artbound (May 31, 2013).

Cheh, Carol. “Word is a Virus | Susan Silton Asks, ‘Who’s in a Name?’” Art:21 blog (April 15, 2013).

Neel, Tucker. “Takin’ It To The Streets. An Interview With Susan Silton.” ARTPULSE (Spring, 2012).

Sanromán, Lucia. “Voice Off: Facebook and the Confessional Self.” ArtLies (February 2011).

Christie, Tom. “Avatart: Susan Silton and the Art of Public Apology.” LA Weekly (September 15, 2009).

Miles, Christopher. “Susan Silton/SolwayJones.” Artforum, vol. XLVI, no. 5 (January 2008): 290.