Susan Silton resides in Los Angeles. Her interdisciplinary projects respond to the complexities of subjectivity in a given moment—often through poetic combinations of humor, discomfort, subterfuge and unabashed beauty. These works take form in performance, participatory projects, photography, video, installation, text/audio and print-based works. Her work has been presented at MoCA, Los Angeles; SFMOMA, San Francisco; Susanne Vielmetter Los Angeles Projects; LAXART, Los Angeles; Hammer Museum; ICA/Philadelphia; MAK Center for Art and Architecture, Los Angeles; and Australian Centre for Contemporary Art, Melbourne, among others. Projects include the commissioned site-specific performance Quartet for the End of Time, produced by LAND (Los Angeles Nomadic Division); the site-specific opera, A Sublime Madness in the Soul; and the book project Who's in a Name? In 2015, Silton’s Whistling Project was included in SITE Santa Fe’s year-long series of exhibitions, SITE 20 Years/20 Shows, which included a commissioned performance by Silton’s women’s whistling group, The Crowing Hens.

Silton has received fellowships and awards from the Getty/California Community Foundation, Art Matters, Center for Cultural Innovation, Cultural Affairs Department of the City of Los Angeles, The MacDowell Colony, Banff Centre for the Arts, Durfee Foundation, The Shifting Foundation, and Fellows of Contemporary Art (FOCA). Most recently, she has been awarded an LA Metro commission for permanent installation sited in the Wilshire/Fairfax subway station.